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Films By Kim Ki-Duk

The mesmerising 3-Iron, which won him the Best Director Award at the Venice Film Festival, again proves Kim Ki-duk deserves his reputation as one of the world's leading outsider filmmakers. Exemplifying Kim's rare ability to combine elegance, poetry and raw power in his filmmaking, 3-Iron - like ... Read more
Reminiscent of the films of Japan's angry masters (Seijun Suzuki and Shohei Imamura in particular), Kim Ki-Duk has earned a reputation for his unflinching exploration of the sexually and emotionally perverse. The film is a wild ride through the scarred minds and bodies of Korean villagers living ... Read more
Hang Gi, a tough pimp ruling his brothel with an iron fist, has a huge chip on his shoulder. Moments after setting eyes on Seon-hwa, a pretty and proper college student, he forces her to kiss him, indifferent to her disgust, until a beating by soldiers sends him on his way. A scheme is concocted by ... Read more
Touring Berlin, Montreal, Moscow and LA Film Festivals, Kim's third film shook audiences with its haunting images of two women reconciling polar differences. Unique in positioning two female characters centre-stage, the film's dividing line runs along class, sex and social status. Jin-Ah, a tough ... Read more
Echoing his earlier works Spring, Summer, Fall, Winter... and Spring and 3-Iron, filmmaker Kim Ki-duk once again looks to the passing seasons and the liberating possibilities of a taboo relationship. This dispassionate but deeply tender love story is a must-see cinema for fans of Kim Ki-duk's ... Read more
"The recurrent themes in my films are space and captivity. The woman in Crocodile and the man in The Isle are captives; they're characters who become prisoners through a violence which, ironically, is beautiful." - Kim Ki-Duk ... Kim Ki-Duk's debut is an unsettling and unclassifiable piece ... Read more
Kim's most experimental film to date, Real Fiction was shot in just 200 minutes with eight 35mm cameras, ten digital cameras and twelve sequence directors. It's title, translated literally from Korean as 'state of reality', is as much a tongue-in-cheek contrivance as an allusion to the reality of ... Read more
Samaritan Girl (Samaria) South KoreaWinner of the Silver Bear for Best Director at this year's Berlin Film Festival, Kim Ki-duk's 10th feature combines the darker-edged themes of his earlier films (Bad Guy, MIFF 2002), with the mature sensibility of his most recent masterwork, Spring, Summer, Fall ... Read more
Spring, Summer, Fall, Winter' and Spring (Bom, Yeoreum, Gaeul, Gyeowool, Geurigo Bom) South Korea'spring, Summer, Fall, Winter' and Spring is an exquisitely simple movie. The film's lyrical plainness is the sign of a profound and sophisticated artistic sensibility. Kim Ki-duk manages to isolate ... Read more
"Hyunshik, an ex-cop in deep pain and on the lam, arrives at the end of his road, an isolated lake, dotted with floating huts, serving as a retreat for fishing and a host of sordid activities. Its beautiful but elusive proprietor, Heejin. never speaks, even when supplementing her income by ... Read more
"Hyunshik, an ex-cop in deep pain and on the lam, arrives at the end of his road, an isolated lake dotted with floating huts, serving as a retreat for fishing and a host of sordid activities. Its beautiful but elusive proprietor, Heejin, never speaks, even when supplementing her income by ... Read more
A recent estimate in Korea claimed that 50 percent of the female population had opted for plastic surgery in their 20s. Considering this epidemic, MIFF favourite Kim Ki-duk's (Bad Guy, The Isle) latest work speaks volumes about a nation's pursuit of ul-jjang (a perfect face). His female lead ... Read more
Set in the back alleys of Paris, Wild Animals sketches the unique friendship between two Koreans living abroad. South Korean Chung-hae goes to Paris to study art but, lacking scruples, he soon winds up earning a living through various scams. He meets an AWOL North Korean soldier named Hong-san ... Read more
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