Skip to main content

Canon

Canada, 1964 (MIFF 1965)

Director: Norman McLaren, Grant Munro

Norman McLaren at his inventive best, explains and illustrates in visual terms the musical form of the canon.

See also...

Pas De Deux

McLaren employed a multi-image technique to film two ballet performets in this study in the grace of dance. It was filmed against a black backdrop with rear lighting oudining the white-clad dancers ... More »

Hen Hop

A cartoon film, hand-drawn in colour by Norman McLaren, in which a hen &ndash: and even as an egg with feet &ndash: dances to the old &ndash: time waltzes and reels of French-Canadian barn dance ... More »

Opening Speech

McLaren appears on a stage but cannot make his planned speech on account of a feisty, bad-tempered microphone that finally has him chasing it around the stage. Befitting a cartoon sketch, McLaren ... More »

Opening Speech

Ostensibly, Norman McLaren intends to welcome the audience, but is frustrated by the microphone which exhibits surprising temper, reluctance and guile. ... More »

Short and Suite

The film is an expression of a mood, a heady recollection of an evening on the town rendered in rhythmic flights of light and colour. The alternation of the music's mood - gay or sad - is echoed by ... More »

Spheres

Norman McLaren continues his investigations into the possibilities of animated film with his latest film. Spheres, his first film since Pas de deux, is set to music of Bach fugues. The illusion of ... More »

Select a festival
Search The Film Archive
Browse By Director