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Boogie Doodle

Canada, 1948 (MIFF 1954, New Ideas)

Director: Norman McLaren

One of the earlier of the McLaren experimental films. An abstract film, made without the use of a camera, in which "boogie" played by Albert Amnions and "doodle*' drawn by Norman McLaren combine to make a rhythmic, brightly coloured film experiment.

See also...

Spheres

Norman McLaren continues his investigations into the possibilities of animated film with his latest film. Spheres, his first film since Pas de deux, is set to music of Bach fugues. The illusion of ... More »

Synchromy

In Synchromy, there is an absolute parallel between sound and image: what is seen on the screen at any moment is the image or images that are creating the sound. For the eye and ear of the viewer the ... More »

Opening Speech

Ostensibly, Norman McLaren intends to welcome the audience, but is frustrated by the microphone which exhibits surprising temper, reluctance and guile. ... More »

Hen Hop

A cartoon film, hand-drawn in colour by Norman McLaren, in which a hen &ndash: and even as an egg with feet &ndash: dances to the old &ndash: time waltzes and reels of French-Canadian barn dance ... More »

Narcissus

Norman McLaren's 59th film, which opened the 1983 World Film Festival in Montreal, is one of the most ambitious in his ... long career, which started in 1933. The film is based on the Greek myth of ... More »

Mail Early

McLaren's first film for the NFB was this publicity clip for Canada Post. Non-abstract symbols drawn with pen on clear 35mm stock were superimposed on a painted background. ... More »

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